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In the Garden Behind the Moon: A Memoir of Loss, Myth, and Magic

By Alexandra Chan

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Healing takes time, and often journeys through the past. In the Garden Behind the Moon shows us how to make the trip.

Synopsis

Alexandra Chan thinks she has life figured out until, in the Year of the Ram, the death of her father - her last parent - brings her to her knees, an event seemingly foretold in Chinese mythology. A left-brained archaeologist and successful tiger daughter, Chan finds her logical approach to life utterly fails her in the face of this profound grief. Unable to find a way forward, she must either burn to ash or forge herself anew.

Slowly, painfully, wondrously, Chan discovers that her father and ancestors have left threads of renewal in the artifacts and stories of their lives. Through a long-lost interview conducted by Roosevelt's Federal Writers' Project, a basket of war letters written from the Burmese jungle, a box of photographs, her world travels, and a deepening relationship to her own art, the archaeologist and lifelong rationalist makes her greatest discovery to date: the healing power of enchantment.

An epic story that travels from prerevolution China to the Jim Crow American South, from the Pacific theater of WWII to the black sands of Reynisfjara, Iceland, and beyond, Chan presents a captivating family portrait and an urgent call to awaken to the magic and wonder of daily life.

How can one book be both absolutely delightful and completely devastating? Alexandra Chan shares her healing journey by diving deep into her ancestors' stories as she pulls on logic and love to pave the way to coping with her losses.


In the Garden Behind the Moon combines incredible storytelling with beautiful art to create a whirlwind time travel trip that drew me through layers of laughter and anguish. Each chapter pulls in Chinese folklore, family tales of trial and triumph, and the author's personal experiences to show the reader how one person's choices can make a world of difference for all those who come after them. In a time where younger generations are finding an understanding of ancestral trauma and seeking healing not just for themselves, but those before and after them, Chan's memoir leads the way. In our effort to be the ancestors our descendants will need, we must learn from not only our parents, but all the generations before them.


As a daughter and mother right in the thick of issues the "sandwich generation" face, I found myself considering future losses of my parents and, essentially grieving in advance while sharing in Chan's losses of her mother, then her father. As she described her own struggles to release control in her own parenting style, I came to new realizations about how to deal with my own soon-to-be empty nest. I was held rapt by the retelling of historical events and mythology made modern with ties to the author's life and that of her family. I took breaks from reading to simply enjoy the illustrations one by one.


Most of all, I felt that I'd sat down with a friend who described her own cathartic process and gave me advice for what to do when the time comes. As Chan describes, "In time I came to know that I had tried, quite inadvertently, to pass to my two boys a suitcase that Dad had handed me, and that his father had handed him, and the boys both said, 'No thanks. That’s not ours.'"


Thanks to reading In the Garden Behind the Moon, I am determined to reminisce, to enjoy the time we have, and to not burden my children with the suitcase of the past that just kept being handed along.



Reviewed by

I am a freelance writer and editor based in the USA. My work has appeared in a variety of media, both online and in print, from poetry anthologies and trade journals to magazines and books. I enjoy reviewing urban fantasy, historical, and post-apocalyptic novels, as well as many nonfiction topics.

Synopsis

Alexandra Chan thinks she has life figured out until, in the Year of the Ram, the death of her father - her last parent - brings her to her knees, an event seemingly foretold in Chinese mythology. A left-brained archaeologist and successful tiger daughter, Chan finds her logical approach to life utterly fails her in the face of this profound grief. Unable to find a way forward, she must either burn to ash or forge herself anew.

Slowly, painfully, wondrously, Chan discovers that her father and ancestors have left threads of renewal in the artifacts and stories of their lives. Through a long-lost interview conducted by Roosevelt's Federal Writers' Project, a basket of war letters written from the Burmese jungle, a box of photographs, her world travels, and a deepening relationship to her own art, the archaeologist and lifelong rationalist makes her greatest discovery to date: the healing power of enchantment.

An epic story that travels from prerevolution China to the Jim Crow American South, from the Pacific theater of WWII to the black sands of Reynisfjara, Iceland, and beyond, Chan presents a captivating family portrait and an urgent call to awaken to the magic and wonder of daily life.

1889 Guangdong Province, China,

THE GREAT PHOENIX

Grandpa Chan was eighteen years old in 1889, the year he escaped beheading and flew off across the horizon, stepping into the mantle of his own name, T’ai Peng, the Great Phoenix.

It is said of the mythical T’ai Peng that its back covers thousands of li (which measures about a third of a mile) and its wings are like clouds that hang from the sky. When it flaps its wings, the air thunders and the waters churn for three thousand li in all directions. The T’ai Peng starts its life, however, as a giant Kun fish in the North Sea, where it circles through the black waters, unknowing, unseeing, and restless. In time, it is written, the Kun fish sheds the dark, cold ocean of its youth, metamorphosing into the mighty T’ai Peng. As it rises from the deep, it grows wings and beats them ninety thousand li into the sky, where it enters a state of complete transformation and heads on its destined journey to the Celestial Pond.

What were my great-grandparents thinking, in a country village outside the capital city of Guangzhou, naming their youngest son and last-born child after the most powerful character in Chinese mythology? It was as if they knew he was never theirs to keep, and blessed him with a powerful spell of protection, spoken daily for eighteen years. “T’ai Peng.” Great Phoenix. Each time their child’s name crossed their lips, it summoned the otherworldly power and extraordinary destiny of the magical beast. Attached to each utterance of his name was a silent addendum: You are enormous of spirit and powerful beyond measure. You will journey ten thousand li beyond the realm of what is recognizable. You will embrace transformation and soar to meet your destiny.

And, too, You cannot stay.

As a boy, T’ai Peng received a classical education and was intent on going to university to become a Confucian bureaucrat and work in the imperial civil service, which was what all the best and brightest young men of his generation aspired to. The year of his exile, he had won a poetry competition in the capital, taking the prize not only for subject matter but also for the elegance of his brushwork. Recalling the mo ment decades later for his six American children, he described how, with notice in hand, he had been carried, swaying and triumphant, on the villagers’ shoulders to see his father.

He stumbled to the ground and grinned at his friends, then straightened and composed his face to approach his father, who was schoolmaster for all the surrounding villages. Thus it was as the schoolmaster that his father took the notice and scanned it, gave a terse nod of approval, and handed it back. Only T’ai Peng, who stood close, could see the glint in his eye that bespoke a father’s pride. It was one of the last times T’ai Peng would see his father, so his children heard the tale often. And so, eventually, did I.

T’ai Peng’s academic work was in world studies at the university at Guangzhou, where he began to conceive of many modern ideas—from technology to day-to-day practices and observances to governance— that he wanted to see brought home to China, a backward and ex ploited country whose people suffered at the hands of the Empress Dowager Cixi and the Manchus. Within months of his arrival in the capital, he had taken up with a group of similarly minded young intel lectuals in the Revolutionary Party. They held secret midnight meet ings in the back room of an herb shop, fantasized about a free and modern China, and plotted the overthrow of Empress Cixi and the Manchu government.

In early 1889, the plot was discovered. T’ai Peng, born in the Year of the Horse, might almost have expected it. Soothsayers and old women gathered at the village well had reminded him that General Fu Youde—one of sixty heavenly generals, or Tai Sui, of Chinese mythology—had it out for the Horse. The happiness, health, and good fortune of all mortals were the Tai Sui’s alone to rule for the year. It was bound to be an unlucky one for the Horse.

The young revolutionaries had time for one last meeting to alert their members that the empress had dispatched soldiers to destroy their plans and that the soldiers were now moving through the city with orders to round up and execute those named in the conspiracy. They should all assume their names were on that list. The group leader’s final instructions were “Go now. And try to stay alive. China needs you.”

As T’ai Peng fled the herb shop, he heard the quick-trot tread of soldiers’ boots two streets over. His eyes strained in the dark, unable to see an escape route. But as the drumbeat of doom moved ever closer, the clouds suddenly parted and the moonlight illuminated a garden wall belonging to the neighboring monastery. In a flash, T’ai Peng was up and over it, crouching beneath large bushes at its base. The clouds then slid back over the moon and plunged the streets into darkness. From where he hid, T’ai Peng heard one of his comrades being dragged into the street, his wild screams cut short by the crisp, wet smack of sword cutting flesh and cracking bone and the sickening thud of some thing hitting the ground. An image came to T’ai Peng, unbidden, of his older brother chopping melons in the courtyard for a feast, smiling broadly, sleeves of his best shirt rolled to the elbows, cleaver in hand. Chunk. Juice spurted and glinted through the sunshine. T’ai Peng’s small niece and nephew toddled after the geese. Home. He had to get there.

“Bag the head,” said the captain. “Leave the body for the people to see.”

A monk from the monastery discovered T’ai Peng in the bushes and gave him cover for the night, disclosing that he, too, belonged to the revolution. The monk arranged for food, clothing, money, and secret passage on a ship departing for America the following morning. He also promised to get word to T’ai Peng’s parents. Home? No, he could never go home, the monk told the frightened young man. Soldiers would be sweeping towns and villages throughout the province, looking for the conspirators. He must leave.

“Maybe you’ll come back one day,” he said to the boy, in reassurance. “And then you must come pay me a visit and tell me about the world.”

And so T’ai Peng set out from the monastery and met a sampan driver on the banks of the Pearl River in the dark before morning. In silence, the sampan slipped toward the ship, where T’ai Peng climbed a rope ladder to its decks and stowed himself away, sleepless, terrified, and heavy with sorrow. The ship had been underway for less than a day when it mysteriously came to a halt. An imperial ship was checking departing vessels for stowaways and had sent a small band of sailors over to search the decks and cabins.

They found T’ai Peng and took him into custody, forcing him onto a dinghy with two of the sailors, who started rowing him back to the mainland to his execution. T’ai Peng, gripped by terror, thought of his mother and father, his sisters who doted on him, the terrible grief they would experience at news of his demise, and his terror settled into despair.

But unbeknownst to him, circling far below, the giant Kun fish had heard the call. The great beast began to rumble in the deep. Glimpsing for the first time another world above, it began its journey upward, flexing its powerful body side to side, churning the waters in all directions. Bursting through the surface of the sea in total metamorphosis, the T’ai Peng began to rise to the firmament. The clouds grew thick, the sky grew dark, and the air became dense with pressure. A peal of thunder rumbled across the sky as the great beast beat its wings, their awful power whipping up mighty winds and turning choppy waters into raging seas. Gigantic waves tossed the dinghy from peak to trough, throwing the three men about like rag dolls. The T’ai Peng ruffled its feathers, shedding the ocean waters of its youth as torrential rain. Futile attempts to row the little boat soon gave way to frantic bailing of the water that threatened to swamp it with every swell. The T’ai Peng beat its wings harder and the rain fell in sheets.

For many hours and all through the night, the men fought heroically to stay afloat. And when the great T’ai Peng eventually set off for the Celestial Pond and the storm passed, young T’ai Peng and the two sailors found they had drifted irrevocably off course and could no longer see land. The water was dead calm, and a blazing midday sun shone punishingly upon the scene below. The men were exhausted and weakened by their ordeal. Worse, the dinghy had not been equipped with provisions, as it had been meant to be only a couple of hours’ row back to shore. Soon all three men lay inert and at odd angles on the bottom of the boat, using their shirts to protect themselves from the glare of the sun. They drifted for days. Their lips turned white and cracked. And as they continued to weaken, T’ai Peng took sips of sea water under cover of night, remembering from his school days that salt caused water retention. Enough to slow his dehydration? His own initiation had begun, and as he watched his captors grow ever weaker, he continued to sip and spit seawater at night. The wheels of destiny ground into motion.

On the third morning, young T’ai Peng struggled to his feet, wobbling the boat violently. He froze, afraid to rouse his captors, but incapacitated as they were, they barely seemed to notice. He carefully bent down, never taking his eyes from their faces, and wrapped his long fingers around the shaft of one of the oars at his feet. The T’ai Peng must meet its destiny. He raised the oar high into the air, like the Kun fish breaching the surface of the sea, and brought it crashing down onto the heads of his captors. Once, twice, three times. He dropped the oar, breathless in his weakened state, gagged, and let out a single, strangled sob. The dinghy rocked back to equilibrium while blood trickled and pooled in the boat’s bottom. T’ai Peng wiped his mouth and brow and felt a blank calm overtake him. He rolled the two bodies overboard, checked the position of the sun, and began to row in the direction he thought land to be.

Of course, the Great Phoenix found land; how could it be otherwise? He sheltered again with the monks until he had physically recovered from his ordeal. And then he caught another ship to America, this time without incident. When he set foot on the shore of San Francisco Bay, the first thing he did was grab the hated queue over his shoulder, a symbol of the tyranny that had robbed him of his family and his future (one hairstyle to rule them all) and cut the hair off at the nape of his neck. He threw the braid in a nearby dustbin and touched the brush of new growth above his forehead, for he had not shaved his head in forty-five days. The T’ai Peng travels ten thousand li beyond the realm of what is recognizable. It embraces transformation and soars to meet its destiny.

In time, he found his way across the country to an old student of his father’s, Li Chin, who owned a laundry on Broughton Street in the port city of Savannah, Georgia. Chung T’ai Peng (who would live and die in the United States as Robert Chan) would eventually take over the Willie Chin & Co. Laundry, and there he lived out his days starch ing collars, raising children, writing poetry, and dreaming of China and a better world.

Years later, my aunt G.G. captured her father’s longing in a poem.


LAUNDRYMAN

If I could hear once more

The call of dark winged birds across the fields

Of rice and slim young bamboo,


If I could see once more

A crane with yellow legs so straight

Among cool water grasses,


If I could touch again

Her hands whose fingers in their sleeve of scarlet

Are softly curled and gentle,

My soul would be content, O gods, To iron away eternity.


—Gerald Chan Sieg, The Far Journey

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5 Comments

Alexandra ChanI'm so touched, and thrilled, that it landed with you as it was intended to. Thank you for such deep reading of, and engagement with, my story.
3 months ago
Melonie Kennedy@alexandrachan Thank you for the opportunity to review it - it was truly an honor!
3 months ago
Judy RhodenizerI have enjoyed reading this book so very much!!! It makes me feel so wonderful with all the Chan family history and many other times in Alexka’s life. I definitely think you will also be very proud to have this book on your shelves. Thank you to the author for writing such a heartfelt book. Alexka Chan is an amazing author!!!
3 months ago
Sukanya SahuI have - I have enjoyed reading this book so very muchill It makes me feel so wonderful with all the Chan family history and many other times in Alexka's life. I definitely think you will also be very proud to have this book on your shelves. Thank you to the author for writing such a heartfelt book. Alexka Chan is an amazing authori!! Very beautiful story. I love it.
3 months ago
Alexandra Chan@sukanyasahu8327 I'm so thrilled. Thank you for letting other readers know about your experience with it. And thanks for "remembering" my family with me.
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3 months ago
About the author

Archaeologist, Author, Artist. Cheerful life traveler and seeker and seer of magic. Most recently, author of the newly released In the Garden Behind the Moon: A Memoir of Loss, Myth, and Magic. view profile

Published on May 28, 2024

Published by Flashpoint Books

120000 words

Contains mild explicit content ⚠️

Worked with a Reedsy professional 🏆

Genre:Biographies & Memoirs

Reviewed by