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A gem of a book exploring emotions, growth and rewriting the meaning of masculinity!

Synopsis

When everything in your life unravels and the future you imagined disintegrates into dust—how do you decide which way is forward?

Griffin Nichols has lost everyone close to him. Unhealthy choices rooted in unmet expectations has him feeling like he’s failing at being a man. Everything he thought he knew about being a good son, brother, and friend has him feeling as substantive as an echo.

He’s lost.

Then Maxwell Wallace walks into his life and teaches him that sometimes in the weakness of the echo is where he can claim his strength.

Note: This book is a follow up to The Stories Stars Tell, available now wherever books are sold.

Diving into this book with no context aside from the absolutely stunning cover, and hooking blurb was as exciting as getting to read Griffin's story! From what I can tell, he appeared in the previous book, The Stories Stars Tell, before getting the spotlight and his story documented in this installment. Although I prefer reading the first book in a series before facing the second, In the Echo of this Ghost Town can be read as a standalone, and so the only knowledge I had of him was from reviews that plainly stated that Griffin wasn't the most likeable character.


From the first chapter, I could tell he wasn't such a great person. Fighting his friends over petty issues, getting drunk six out of seven days in a week, being a douchebag to his mom—every action he took, and every word he uttered was questionable. There were times he was almost unbearable, and his thoughts were a pain to read. But the turning point for Griffin's character was realizing he caused some of his problems. He's messy, flawed, and trying his best to be emotionally unavailable... until he meets Max.


With how it comes off, you'd think Max would be the solutions to all his problems—the love interest who magically changes him with a kiss and a wink. She isn't. She has her own insecurities and problems to deal with, and her character is as well-personified just as Griffin's. Their first meeting is not exactly a meet-cute, and neither is their second, when he ends up at her house in his search for a job after his mother threatens to kick him out.


Griffin and Max's friendship builds in a perfectly paced way. From the lighthearted moments when they tease each other with smiles, to the serious ones where they address issues they'd much rather bury forever. It was absolutely lovely experiencing their joys and shared pain.


C. L. Walters conveys so much raw and powerful emotions in every chapter. Not only do we learn why Griffin is the way he is, we also see him try his best to be better, to correct past mistakes, mend broken bonds, and find it in his heart to forgive himself and others. It addresses toxic male culture which tells us 'Men Don't Cry,' and essentially teaches that it's perfectly fine to be undecided and lost, to feel like an echo of yourself. Griffin's character arc was a thrill to follow, his development was significant, and rang clear in the decisions he took, the feelings he expressed, and the humanity he displayed.


I teared up several times during reading, and I had to forgo sleep just so I could finish it. It's definitely a must-read, and I recommend it to everyone, no matter their age! It has a loud message that needs to be heard! Even if it's told with voices that seem to echo in ghost towns.

Reviewed by

I'm an avid reader who spends hours with my nose buried in books (or eyes trained on a screen) in young adult, LGBTQ and romance genres, which I write detailed reviews on. I write diverse books that center on these genres, with large doses of humor and characters who make questionable decisions.

Synopsis

When everything in your life unravels and the future you imagined disintegrates into dust—how do you decide which way is forward?

Griffin Nichols has lost everyone close to him. Unhealthy choices rooted in unmet expectations has him feeling like he’s failing at being a man. Everything he thought he knew about being a good son, brother, and friend has him feeling as substantive as an echo.

He’s lost.

Then Maxwell Wallace walks into his life and teaches him that sometimes in the weakness of the echo is where he can claim his strength.

Note: This book is a follow up to The Stories Stars Tell, available now wherever books are sold.

The cruel asphalt underneath me feels like the truth. Everything about me is a lie. I hurt. Tanner, my best friend, is on the asphalt next to me. We’ve been in a fight. He says something I don’t catch. I’m drunk as fuck. His voice sounds distant as though I’m covering my ears even though he’s just an arm’s length away. I think I said something about him being pussy-whipped—definitely thought it. He bit back with sharp words drawing blood, though I’m not exactly sure what kind of weapons they were or where they cut. I’m just bleeding internally. Angry, we sort of collided—two drunks—and rolled across the parking lot outside a convenience store, unable to keep our feet under us. We added blows with our hands to the ones with our words.

I break myself into parts to avoid the feelings—or the hurtful truth of them. There’s the Griffin who wants to accept the stark reality of tiny painful pebbles pressing my skin. He wants to find a way to bandage up what’s bleeding. That Griffin is the optimist, but he also feels the wounds. So, there’s the Griff who adds scar tissue to protect the softer parts. This tougher Griff is filled with so much rage there aren’t defenses strong enough to damn the vitriol ready to ooze from my mouth. He’s the one who will cauterize the weakness to protect all of me, because gentle Griffin is an infection. Unyielding Griff won’t accept heartache; this Griff is all about the lies I tell to keep the tender fragments of myself hidden.

Now, breathing like my lungs might spew from my mouth, I’m trying to remember why this battle was so important. I turn my head to look at Tanner on the ground next to me, disoriented by the movement of the world around me. I wonder why—of all the people in my life—I’m fighting with Tanner. He’s my brother—or the closest thing I have to one since my older brother, Phoenix, left me—and right now, I feel like my gut is bruised from the rocks I’ve been carrying around inside of it. My throat is on fire with the need to cry, or maybe I just need to puke.

Tanner is on his back, like me, drunk, like me, and looking up at a black sky. But I’m looking at him, my best friend since we were fourteen. I’m always looking at Tanner.

“You were my brother, Griff,” Tanner mutters up at the sky.

Were.

Were.

Were.

I get stuck in the past tense.

Angry, insulated, scar-tissue Griff tags into the match instead, hops around the ring looking for the next opening to hurt him back. Fury as a default setting.

Everyone leaves.

I recall Phoenix’s back as I watched him walk away. He didn’t turn around, and I think that’s what hurt the most. In my imagination, I’ve created a version of him stopping at the end of the sidewalk, turning and looking over his shoulder at me to smile. It’s the kind of smile that says: I see you, baby brother. Don’t worry. You’ve always got me. He didn’t though. He just turned and kept walking toward the bus stop.

I’d looked at my mom, waited for her to change her kicked-out-of-the-house sentencing, unable to register the tears in her eyes for my own anguish. She hadn’t. She shored up her defenses, her mouth thinning into a barbed-wire fence, and she waited for me to yell. I just didn’t. All of that feeling was stuck in my throat. The blame for making Phoenix leave dumped concrete mix down my gullet, filled me up with bitterness, and hardened my insides into stone. I stomped past her, disappeared into my room, and slammed the door but didn’t scream. I couldn’t. I just went silent. Flopped on my bed and stared at the hot-girls-hot-cars poster Phoenix had given me for my thirteenth birthday. Now, he was gone. First dad. Now him. What did that mean for me?

So, fury is a friend.

I roll away from Tanner. “Fuck you. You’re leaving,” I say. I know the feeling of being left behind better than anyone, except maybe Tanner whose brother died and whose parents’ marriage exploded.

“Where am I going?”

I struggle onto my hands and knees, the loose pebbles of the parking lot biting at my palms. I don’t know why I think about the sting of rocks when there’s a boulder sitting inside my chest. I need to puke it up, but it’s lodged there.

Tanner might be right; he isn’t leaving in a physical sense. We both made sure we didn’t have options after high school—too much party, not enough school—but that doesn’t mean he isn’t digging out.

“You left a long time ago.” I spit. I do feel like I need to puke. Sick. Somehow, I get to my feet. “Everybody fucking leaves.” 

Tanner sits up. “I didn’t. I tried to talk to you; you wouldn’t listen.”

I don’t want to listen now. Nothing he might say will sway pissed-off Griff. Tanner violated our pact. He broke the Bro Code, and it isn’t the part about fucking bitches. Tanner broke what was real between all of us, and that was the promise to always be there for one another. Tanner is choosing to walk away. Phoenix left and never came back; he just sends stupid postcards that don’t make any sense. Brother by postcard proxy. Tanner isn’t going to come back either.

“We aren’t friends anymore,” I mutter.

“Guys. This is dumb.” Danny’s voice punctuates our mutterings with the clarity of his sobriety.

I swing around toward our other friend, swaying as I do. My feet scratch over the scree of the lot as I walk away from Tanner to Danny standing near his tan car. Danny—his arms crossed over his chest and his hands tucked up under his arms—watches us. His brow has collapsed over his dark eyes with irritation which makes me hesitate. I’m not sure I’ve ever seen Danny mad. Then again, I can’t be sure of anything since I’m wasted.

There’s a shuffle in the gravel behind me which I assume means Tanner has gotten to his feet. He says, “You’re right. We haven’t been friends for a long time.” His words add weight to the boulder that’s holding down my heart.

I glance around for Josh—the fourth of our gang—but remember he isn’t there. He’s wherever kids with intact families who love each other go.

Lately, I feel like I’ve been trying to hold our brotherhood together, trying so hard to keep things the way they’ve always been.

I thought it would always be Tanner and me. Tanner, me, Danny and Josh.

Tanner says something about walking home.

Danny’s arms collapse to his sides, and he takes a step past me. “That’s pretty far, Tanner. I can take you.”

I shake my head. “No. He isn’t our friend.”

Danny looks at me, dark eyes narrowed. “He’s mine.” He calls after Tanner, “I can take you home, bro.”

Tanner’s voice is farther away. “No.”

I hear the slide of his steps across the gravel as he walks away, but I don’t turn to look at my former friend. Turning around might tear open the exposed underbelly of weak Griffin. That Griffin wants to reach for when we—Tanner and me—were fourteen and walking down the school hallway laughing after getting kicked out of homeroom together. Or when we played the prank at the end of freshman year with the fire alarm. All of the times we traipsed around town before we could drive, looking for fun and usually making it. The quiet talks when life felt too heavy, so it didn’t feel like we had to hold it up alone. That’s been a long time ago. After months of trying to bind Bro Code together, I’m not begging Tanner to stay. Instead, I climb into Danny’s car and sink down as low as I can in the passenger seat.

Danny gets into behind the wheel, but he doesn’t start it. “That was messed up, Griff. What you said about Rory.” I hear the disappointment and displeasure in his voice, in the punctuation of his words and the way they run together as if he’s speaking Spanish.

“What are you talking about? I didn’t say anything about Rory.” I shake my head to deny it, but my brain is cement. Why would I say anything about Tanner’s dead brother? “Tanner broke the code,” I mumble and lean my head against the window, wondering how we’d gone from laughing and drinking a little while ago—Tanner, the prodigal son, returned to the fold after his misguided relationship detour with the Matthews chick—to what had just happened.

“No. He didn’t.” Danny starts the car; his hands slip from the key because he does it with so much force. “You’re the one who broke it.”

“How’s this my fault?” I stare out at the overflowing dumpster at the edge of the parking lot. I turn to look at him. “Tanner’s the one acting like a bitch.”

Danny makes a disgusted sound. “He’s tried to talk to you for months.” He looks over his shoulder as he reverses the car. The staccato of the gear shift moving into first gear adds emphasis to the tension. “And Josh and I tried to tell you. You’re so stubborn. That’s not how friends treat one another.”

“We’re going the wrong way. Bella’s is the other way.”

He swears, and I’m taken aback by it. I’ve known Danny for three years. Of all of us, he hasn’t been the one to let loose with his mouth. That’s usually me.

“I’m taking your ass home.”

“Whoa, dude. Tanner’s the one who broke the code.”

Danny goes silent, his hand gripping the steering wheel so tight his knuckles are white. Then he sort of unleashes, slamming the wheel with his hand and yelling, “This isn’t about the fucking, stupid-ass code!”

I’m not sure what to say. Of course it’s about the code! All of who we have been together has always been about our crew; why else would I be fighting for it? For the last three years, our code has been our navigational system. First Tanner (Josh has always been a ride-along) and now Danny is disabling our operating procedures. That party at Bella’s was my endgame. That’s the rules of Bro Code: to help one another freaking get laid. My anger collects, so when he parks in front of my house refusing to go to Bella’s, I’m not only shocked by his defiance and disregard of our rules, but I’m also fuming.

“Get out.” He won’t look at me. Danny, the last of the gang. The dependable one. The one who is always there. “You’re drunk and I’m going home.”

“I’m always drunk.”

Danny’s face turns toward me then, the shape of his usually kind features sharp and jagged like unfinished granite. “Yeah. Maybe that’s the fucking problem.” He reaches across me, and the door groans as it opens. “It’s time to grow up, Griff. Get out.”

The seat belt latch pops and releases, but I can’t seem to get my feet under me and roll out of the car instead. When I finally stand, the earth tilts under me, and I sway to correct. “Well, fuck you then.” I slam the door and fall down with the momentum into the grass outside my house.

Danny drives away, the car huffing and puffing exhaust as if it, too, were angry.

I roll onto my back as the sound of Danny’s car disappears in the distance and lay in my front yard gazing at the spinning dark sky. The expanse of dark sky above me taunts me with my smallness and isolation. I’m alone and shake out my memories to find the last time that was so. They are thin and breakable.

“Fuck!” Angry Griff rages at feeling so small and reinforces his fury by lying about our victimhood.

Softhearted Griffin—who might be able to reinforce the truth if he weren’t so small—makes himself smaller in order to stay safe.

I don’t cry even if I feel the sharp points of tears crawling up my throat. Then again, maybe I just need to puke.

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4 Comments

CL WaltersThank you so much for taking the time to read this book and review Griffin's story. I'm so appreciative.
over 3 years ago
Tracy Arthur@clwalters don't mention it! I enjoyed the read a lot and was more than happy to leave a review❤
over 3 years ago
CL WaltersHi! My name is Cami and I write as CL Walters. I've been writing for many years and have published 6 books. In the Echo of this Ghost Town is my 7th novel and it's companion When the Echo Answers is my 8th book. I love writing and I adore sharing stories. So nice to be here. Thank you for your support in reading and reviewing. Authors need you!
over 3 years ago
tsegab DesalegnThanks
over 3 years ago
About the author

CL Walters writes in Hawai'i & is the author of 11 books, some of which include, The Cantos Chronicles, The Messy Truth About Love & The Stories Stars Tell. The Ring Academy: The Trials of Imogene Sol is her first jump into space and science-fiction-lite. view profile

Published on October 12, 2021

110000 words

Contains mild explicit content ⚠️

Genre:New Adult

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