Synopsis
Hazakura is about replace and of repair. It's about loss and acceptance. Perhaps a renewal.
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A stunningly beautiful depiction of the grief process after a love affair gone wrong.
Hazakura is about replace and of repair. It's about loss and acceptance. Perhaps a renewal.
Hazakura so accurately describes the universal emotion of heartbreak that the reader will likely find it uncanny. Everyone who has experienced a love gone wrong has felt the agony described in these short but stunning poems. However, perhaps the work’s greatest strength of all is its depiction of the grief process after the loss of romantic happiness.
In many of the poems, the audience reads of the author’s onetime lover and how happy she made him, how their content nearly seemed unreal. Because eventually, alas, it was. Thought it never becomes clear exactly why, the author/narrator’s lover abandons him, leaving a mess of memories, confusion, and unadulterated heartbreak in her wake. The reader aches for the author as he relates the slow realization he experienced; that show dawning upon him that she was not coming back.
And then, the grief. The author cycles through the stages of grief out of order, as so often happens in life. He describes the denial his lover is gone; the shock of her abandonment; the anger that he had her love only to have it taken away. Anyone who has ever been heartbroken will relate.
This is all done via excruciatingly beautiful poetry, full of meter just uneven enough to be fascinating. Some pages contain only single lines which pack a punch. Others are covered with ethereal drawings which illustrate the sentiments expressed in the poems themselves. Overall, the final product is a masterpiece. Carefully crafted to invoke both empathy and passion, this piece meets the mark and more. I would suggest Hazakura to anyone in search of a work of quality poetry. It is different than any work available before or, I daresay, since. No reader will be disappointed.
Hannah Lindley is 32 years old. A writer and voracious reader since she was young, she holds a bachelor’s degree in English. Her favorite writers include C. W. Gortner, Rachel Kushner, Hilary Mantel, and Shirley Jackson.
Hazakura is about replace and of repair. It's about loss and acceptance. Perhaps a renewal.
“”
Why do you believe in “perhaps” so much?
“Perhaps because there is another parallel universe, and perhaps there, we’re together.”
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poetry was the only way to tell you,
even in your leave there’s a way to love you even more.
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“It takes a lot to grieve or kill a man, and sometimes just a handful of love.”
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“What is the difference between man and the sun?”
:
“The sun does not think and so it rises when it needs.
The sun does not hesitate and so it shines when it deeds.”
:
“But a man does the opposite.
He dwells in his past and worries what hasn’t come. That’s why a man dies a hundred times more, before dying all at once.”
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“Promise me when the winter comes, you will stay the same.”
—spring
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After love,
“It’s goodbye to someone, and for someone, it’s only waiting.”
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“If you must remember me then
I hope you do;
not as a lover
but a stranger you’ve never known because someone told me,
strangers meet again
but lovers never do.”
—hope: less
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“It’s one of those ‘her’ in every man, That knows,
Love is a timeless journey Without an end or the beginning.”
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bury the night, and the hurt
in the endless pouring rain
think of the sun and her eyes
somewhere close, somewhere in
the distant—
once the wanderer, above the
sorrowful mountains, was I?
replete with time and sated by love
oh, the mourning dusk!
alone in a foreign land, far
and rusted, most in defeat
bring the joy, elate me
there is a house, dusted
and leaving,
I lived
if tears, won’t bring me back
if stopping, won’t remind me
the ache
then I’ve lost it all, I’m lost
again.
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Like the earth for the seasons,
Like the mountains for the snows;
Like the rivers for the sea;
Like the moon for the sun aglow,
I have longed for you here,
For the love I’ve adored; Forevermore.
How far must I stretch these arms?
To reach for the warmth, I’ve lost
How long, shall I wander; alone?
To find, the place where I belong.
It’s those shores, that begs for my ships to sail
It’s in those depths of the ocean, I drown.
It is every place I go,
Everywhere—
I take little bits of you with me; With me, you’re there.
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Almost of you
It’s night and everybody’s gone, then you return home. You see your bed the way you left; the blanket spread and the pillows on the floor. The clothes are out of the closet and all over the place— the food wrappers and the coffee stains.
As you start to clean up the mess and fix things around you, you forgot to change the dress you’re wearing and wash that makeup from your face.
So, you slowly put everything back to its place, and you finally be yourself—laying down on a cold sheet of your bed, staring at the window of your old apartment—the same view, the same broken street light; flickering now and then—the same empty sky, the same breeze that teases your pale curtains. And the life you lived an hour ago stops to flow the same direction but moves further backward; giving you the heartache again, which you almost forgot in one of your busy days.
Because I know, it’s in these moments, this lonely space; you miss him the most and maybe love him once more. But you can’t go back because no one seeks the home, the one they ruined.
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House of adamant December
I once loved you madly and freely
Soothing air and the pirouetting leaves
Billowing hair and the dress around our twin feet I’ve stayed here just the same with your memory
The home of an unvitiated stranger; vaguely reoccurs to me I asked you then, “Will you always be here with me?”
Such a poignant reminder of your delicacy
The perfidious man and the redundancy of beloved eighteen Can you even compare the fall or the arrival that isn’t seen?
My love, the winter had us and the vows are to fade
Such are these branches to die and my roots to sail
I will be here once again, to reclaim all of what we’ve become— The lovers in another’s arms or the man, I, in a distant land.
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Come back later to check for updates.
Born in Singapore and raised in Nepal, J. Limbu debuted with his self-published poetry book, Anemone: The windflower on Amazon in 2017. He started writing short poems in his early years and posted them in his blog, which soon became his passion and way of life. view profile
Published on March 31, 2022
10000 words
Contains mild explicit content ⚠️
Worked with a Reedsy professional 🏆
Genre:Poetry
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