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Moments of madness and moments of truth. This book was truely written during the era of COVID 19.

Synopsis

Written in the midst of a global pandemic, CALIBRATION 74 is an experimental poetic flow-of-consciousness exploration of reality, fantasy, and the spaces in-between.

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Numbers. Keys.
Locks and boxes.
Mermaids, eggs, and trees.

Past, present, future.
Time collapses and expands.

Mazes, paths, and destiny.

A library card.
A skull.
A mouse.

Truth and lies and peace.

Calibration 74 is the perfect example of the magic realism genre. Filled with strange and absurd happenings, the story constantly has the reader questioning what is real and what is constructed in the character's mind. 



Written as diary-like entries in a flow-of-consciousness narrative, this experimental novel exhibits moments of fantasy and sci-fi. Beginning with a random set of numbers plucked out of thin air, the protagonist seeks to find meaning and purpose by applying these in the real world. He constructs 74 calculations, or calibrations, in an attempt to have these numbers make some sense. These attempts send the character on a whirlwind adventure to libraries and cemeteries, losing his cat Carlos, and boiling the skull of a dead girl called Marcy. Poetry and nursery rhymes are tied in with the action, and there’s even a chapter where the sky turns into a giant toilet.



Put simply, Calibration 74 is a story of madness, randomness and a mind led adrift. It is a story of man who, attempting to seek purpose and meaning in the world around him, is led down a path of delirium. Although there are themes of philosophy and wisdom, the overall strangeness and absurdity of the book means these moments are only fleeting. Descriptively, setting and objects are noted in great depth and detail. Whether these details are necessary or not to the narrative isn’t important; what’s important is that these thoughts exist in the first place. There is a pleasing simplicity to the nature of these descriptions. Mundane everyday objects such as books and keys become centre stage; a small plot in the storyline, yet described with all the vigour a main character would be given. 



Calibration 74 is the perfect book for those wanting to branch out and experiment with the genre of magic realism. Although the story follows a loose narrative, which at face value makes little sense, these writings hold snippets of wisdom and intrigue to be reflected. As the madness and absurdity can be overwhelming at times, these moments are a welcomed pause through all the noise. 



Reviewed by

I'm a Māori (indigenous to New Zealand) wahine (female) from Aotearoa (New Zealand) I love to read all kinds of stories, but my go-to are the weird, absurd, wacky and wonderful stuff that makes the world an interesting place.

Synopsis

Written in the midst of a global pandemic, CALIBRATION 74 is an experimental poetic flow-of-consciousness exploration of reality, fantasy, and the spaces in-between.

-----

Numbers. Keys.
Locks and boxes.
Mermaids, eggs, and trees.

Past, present, future.
Time collapses and expands.

Mazes, paths, and destiny.

A library card.
A skull.
A mouse.

Truth and lies and peace.

Calibration 1

14 27 9 23

Numbers 

Even more of them like 12 and 97 and 6.

Just running around my head. Sitting there doing nothing but also doing everything all at once while they wait to be calculated. They don’t mean a damn thing. There’s no hidden message in them, not that I’ve discovered. But when I close my eyes (or god forbid, keep them open), still the numbers still come.

All I can do is try to make them make sense so they go away. Adding and subtracting until they’re reasonable.

14 and 27 are 41 and you add that 9 and you have a nice simple 50, but then you have that 23 and what are you going to do with 23? You add it on and you’re stuck with 73, which is a really dangerous number. But is it any better than 27? Probably not. At least 27 can be divided by the 9, which gives us 3—a decent number. Odd, but still just a single integer. And a triad is a good thing, in my opinion. A beautiful chord. A triangle, preferably equilateral.

Solid. I can live with a 3. 

But 12 and 97 and 6? Now we have another issue. 109? 115? They’re getting bigger than what I can easily do in my head, so I pull out a pen and piece of paper and do some long division. None of them are divisible by any of the others. So now we’re stuck at 115.

I can only pray that a 35 comes my way. I’d love a 35. Gets you to 150 and then you use that 3 and you’re at 50 which is half of 100, which is even and balanced. 

Where is my 35?

I found a 35 once in the gutter. A dirty old dime and a quarter. Each one them so different from one another but still the same. The same form. Concept. Each a coin, with very little inherent value, yet they stood for something more. Something we assigned to them in our heads. 35 cents. I had no idea how much money it cost to assemble 35 cents, but there it was, nonetheless, 35 cents.

Problem is, you can’t do much with 35 cents, and that dime was so damn dirty. I dropped them down to the pavement where the quarter fell flat and the dime rolled away, into a storm drain and out of existence. My hands felt filthy. Nothing I could see, but surely coated with germs, bacteria, viruses, and questions.

I wiped them on my jeans.

And now I wish I had that 35 cents.

Don’t know what I’d do with it though, other than count it. And once I did, I’d have my 35 to make everything nice and neat and orderly. But maybe I already have it, just by thinking about it.

Is just the concept of its existence enough for me to buy some clarity? 

It’s not like the other numbers exist. Outside my head at least. They’re just concepts. Forms with words to give us some sense of calculation, purpose, and categorization in life. You follow the numbers and they make sense. They’re the only thing that makes sense.

The universal language.

If I think about them long enough, they lose their meaning altogether. That is, without a construct to define them. With my quarter and dime, dirty as they were, they were still a solid, real, 35. I could present them to another person and that person would likely reply, “Yes, that’s 35 cents alright.”

The numbers in my head though? They’re always changing, coming from an unidentifiable place. Though I remain convinced, regardless of what I’m told, they did start somewhere—numbers don’t just pop up out of thin air. Thoughts don’t either. There’s always a cause and effect and we just don’t always know what the cause may be. Though we often feel the effect. Or is it affect?

The effect has affect and life goes on.

Like a wheel in a hamster cage wired to a battery powering the world. The lights go on as the sun comes up and fade away as the hamster dies from exhaustion at sunset, just to be replaced by a new hamster while we sleep.

But who breeds the hamsters? Who’s in charge of it all? 

The answer, my friend, is there is no hamster. Only time and its incessant march.

The numbers can change if you think of them. But when you assign them as values to something concrete—something you can identify and give value—like a pile of beans, magic or not.

Planted in the soil those numbers can expand and multiply. Changing forever to bigger and bigger values until we have too many beans to count. The vines wrapping and tangling their way through the world, stretching upward to the giants in the sky who either watch over us, or more likely, just eat us for dinner when we get too curious.

In that castle in the sky where Jack found his goose, he discovered the secret to expansion. Growth. Never-ending wealth. It’s a secret place that grants us our wishes but we get too greedy and fee-fi-fo-fum your bones are ground and your meat is butter on a slice of breakfast toast.

That kingdom is what I assumed was on the other side of the door. Or to be more specific, still assume to be there. For I haven’t opened it yet. I’ve tried the combinations. The numbers in my head. But they’re not working, and I know they should. They have to. Because this damn door is the pathway to something altogether different. 

How do I know? I just do. Because the door is made of light and it’s in a basement full of dark and the only thing on the other side is a wall of worms and dirt.

At least that’s all there should be.

I’ll find out when I get the damn thing open.

4 8 17 6 35.

The first four equal the last. 

Unbalanced equality.

I enter the numbers.

One.

By.

One.

… and …

The damn door doesn’t budge.


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1 Comment

Larry TaylorI enjoyed reading this review and will vote for the book. I may one day read it though not now. Thank you for sharing.
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almost 4 years ago
About the author

William F. Aicher is an independent author who primarily writes thrillers and what he describes as "philosophical fiction" who holds degrees in journalism and philosophy from the University of Wisconsin. A proponent of the value of creative work, he is a champion of intellectual property rights. view profile

Published on January 25, 2021

Published by

20000 words

Contains mild explicit content ⚠️

Genre:Literary Fiction

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