Ghosts, monsters, and bad decisions haunt these 9 short stories from horror author T. Kulp.
BLOTS covers the horror spectrum. From H.P. Lovecraft style cosmic horror to fairy tale folk horror and the always enjoyable gothic ghost stories, BLOTS has something for any fans of the macabre.
- REFLECTIONS: Going blind is the least of this artist’s concerns as ghosts from his past sabotage his future.
- OLD JACK: Monsters in paper houses are terrorizing the kids of a small town.
- SIGNATURE: The school prankster accidently signs his life away in an ancient book.
and 6 other stories to enjoy.
Ghosts and monsters lurk in these stories. Like ink blots, some of these creatures are more than they seem. If you stare, you might see them or, they might see you.
Ghosts, monsters, and bad decisions haunt these 9 short stories from horror author T. Kulp.
BLOTS covers the horror spectrum. From H.P. Lovecraft style cosmic horror to fairy tale folk horror and the always enjoyable gothic ghost stories, BLOTS has something for any fans of the macabre.
- REFLECTIONS: Going blind is the least of this artist’s concerns as ghosts from his past sabotage his future.
- OLD JACK: Monsters in paper houses are terrorizing the kids of a small town.
- SIGNATURE: The school prankster accidently signs his life away in an ancient book.
and 6 other stories to enjoy.
Ghosts and monsters lurk in these stories. Like ink blots, some of these creatures are more than they seem. If you stare, you might see them or, they might see you.
THE NEWS
“So, like, I need glasses?”
I squint to see her face.
Is she joking?
“No, Mr. Paugh.”
she huffs, annoyed.
Her fingers scratch over
the computer’s keyboard
tapping out her diagnosis.
“You have a
very aggressive
posterior subcapsular cataracts.
Both eyes.
You’re going blind…quickly.”
Stabbing at the save button,
she turns to me,
huffs again
and stomps over to the sink.
Her heels slam against the tile floor.
Each clack piercing the headache
behind my eyes.
“Glasses aren’t going to help
and your previous eye trauma,
from the accident,
makes surgery questionable
at best.”
“So, what do I do?”
My brain jumps right to
“Yoga?”
then
“Essential oils?”
I chuckle at that.
“No!”
She smacks the linoleum countertop.
“Listening when I said
wear protective eye gear
would have prevented all this.
But you didn’t do that.”
She moves to the sink
washing her hands.
I step closer
so I can see her
seeing me.
“Doc, I can’t sculpt if I can’t see.”
My stomach gurgles
and instinct brings my hand
to my mouth.
But no need.
The nausea passes.
Her foot taps the rhythm of
irritable impatience.
What an inconvenience I must be.
How dare I
clog her morning routine
with such a distraction
as going blind.
“I’ve heard of
an experimental surgery…”
she balls up a paper towel
“it might be a possibility.”
Throws the paper towel in the trash.
“Reality check.
Your eyes are in bad shape
from that car accident
a few years ago.
I told you to wear eye protection when you work.
I told you this could happen.
You didn’t listen.”
She sighs at the weight
of dealing with me further.
“I’ll see what I can find out
about the surgery.
I’ll call you later in the week.
Wear eye protection Ed.
This can get worse.”
“And lay off the alcohol.
Dehydration accelerates degeneration.”
She sniffs the air with a grimace.
Walking out the door
she flips the colored tabs
marking the room available.
I stand in the examination room
listening to my thoughts
burst like pimples.
How will I work?
I’ve got so much left to do.
How will I get it done?
Oh Ed, you should have listened.
I’m an artist…
how can I create without seeing?
You didn’t listen. Now you get what you deserve.
Glass isn’t clay,
I need to see the glow,
feel the heat…
Alone and empty and nothing…that’s what you deserve, Ed.
You reap
What you sow.
“I rub my eyes again
the world now a deeper mud
colorless except for
the dead gold hues
and bright halos that engulf everything
in blinding sunshine.”
– T. Kulp, “Reflections”
✒️I received an e-Book of this story via Reedsy Discovery in exchange for a fair review!✒️
It’s been a while since I last reviewed a book provided via Reedsy Discovery, so I wanted to kick this year’s reviews off with an offering from there. I stumbled upon BLOTS and, being unable to resist a good horror anthology and intrigued by the inkblots concept, decided to dive straight in. In this collection, author T. Kulp offers a selection of nine stories of varying lengths and subjects, ranging from classic ghostly tales through to fairy tale twists and unknowable monstrosities, delivering each with a poetic flair and crisp, no-nonsense language.
In this book, he examines themes of guilt, feelings of being trapped, bullying, and much more besides, through some intriguing setups and original concepts. The opening piece for instance, “Reflections”, follows a glass artist haunted by the ghosts of the past—but are the entities plaguing Ed real, or merely manifestations of his grief? The book starts out strong with a compelling and superbly written examination of guilt and the way it can physically manifest in someone’s life. In the end, whether the ghosts of this story are real or imagined is largely left up to the reader; this theme of the narratives being open for interpretation continues throughout the book—it is in fact the thing that links them together, and serves to explain the choice of title—like the inkblots on a Rorschach test, different people will see different things within these pages, and take away their own individual readings.
There’s a strong streak of H.P. Lovecraft running through several of the stories, particularly in the cosmic/folk horror blend, “The Wisp”, which explores small-town traditions and eldritch beings, and in both “Old Jack” and “Signature”, which both concern ancient tomes, arcane knowledge, and the inevitable fallout from meddling with such things. The story “In the Painting” is very clearly inspired by Lovecraft’s classic story “Pickman’s Model” too, and similarities can be found throughout. Kulp draws inspiration from Lovecraft’s works, which often dealt with similar subjects and plots, then injects his own twist and original ideas. Edgar Allan Poe’s influence can also be felt in the more gothic-styled stories, but while Kulp’s inspirations are worn plain to see, he manages to craft stories that feel entirely his own.
Of the nine stories, six of them are written in verse; a stylistic choice that might not appeal to every reader, but one which I felt was employed very effectively for the most part—Kulp often has a fittingly poetic way of writing and his vivid, descriptive language makes for a very engaging read. At the end of each story, Kulp also chooses to provide a brief note outlining the story’s inspirations, development, and realisation, which I always enjoy seeing and reading in an anthology. These “behind-the-scenes” excerpts offer a nice insight into the author’s creative process and provides the reader with a fun little peek behind the curtain, enriching the book overall.
All in all, this was a strong selection and one which marks Kulp as a writer to watch in the future as his writing ventures continue. It’s always nice finding a new genre voice—especially one with such flair in his writing—and I’ll be keeping an eye out for Kulp’s future forays into the horror genre: I’d be especially eager to check out the proposed prequel/sequel to the narrative and characters of “Signature” if Kulp does choose to expand upon it.
VERDICT: An inventive and unusual collection of horror-themed stories with engaging scenarios and wonderfully colourful prose. With elements of cosmic, folk, and gothic horror laced through the stories, BLOTS offers plenty of variety and is sure to offer a little something to appeal to all fans of the genre.
It’s a very strong ⭐⭐⭐⭐/⭐⭐⭐⭐⭐ from this reviewer. I also want to say a humongous thank you to both Reedsy Discovery and the author T. Kulp for providing a copy and giving me the chance to read and review it.