Gregory Jorss - Designer
Make it exciting! Book covers that grab attention and create interest in your audience.
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Overview
I have been working in the graphic design industry for 20 years. In that time I have developed a strong skill base and experience which I then apply to your particular job.
I work by trying out lots of ideas until something truly special emerges. Then I refine that special option .. That plus time (if I sleep on a job and look at it tomorrow, is it still a "YES!"? Then I know it is really working well and almost ready to send you a proof.
I work by trying out lots of ideas until something truly special emerges. Then I refine that special option .. That plus time (if I sleep on a job and look at it tomorrow, is it still a "YES!"? Then I know it is really working well and almost ready to send you a proof.
Languages
English
Fiction
Anthologies
Humor & Comedy
Poetry
Non-Fiction
Architecture
Art
Biographies & Memoirs
Cooking & Food Wine & Spirits
Health & wellbeing
Work experience
Art Director and Designer
Upside Creative
February, 2011
–
Present
(over 9 years)
Finished design and layout for 28 books, including 2 ebooks.
Graphic designer
Various
February, 2000
–
January, 2011
(almost 11 years)
11 years industry experience working for printery, design studio and advertising studios.
Portfolio (2 selected works)
Silent Women: Pioneers of Cinema
Melody Bridges, Kevin Brownlow, Ellen Cheshire, Pieter Aquilia, Shelley Stamp, Bryony Dixon, Maria Giese, Patricia diRisio
This book explores the incredible contribution of women at the dawn of cinema when, surprisingly, more women were employed across the board in the film industry than they are now. It is the first book to give an overview of early women filmmakers in the US, Europe and beyond. Essential reading for students of film studies, media, culture and gender/women's studies. With many black and white ph... read more
The theme of weaving, a powerful metaphor within Anglo-Saxon studies and Old English literature itself, unites the essays collected here. They range from consideration of interwoven sources in homiletic prose and a word-weaving poet to woven riddles and iconographical textures in medieval art, and show how weaving has the power to represent textiles, texts, and textures both literal and metaph... read more
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