Prior to beginning teaching at Regis in 2006, I taught at Tufts University (PhD alma mater), Simmons
College, and UMass Dartmouth. My courses were Women's Studies, first year composition, literature, and first year seminar. My focus in all of these courses was clear ethical writing and social justice. Women's Studies centers on women's experience with sexism, but also explores the lives of women of different races, sexualities, religions, genders, and classes. The writing courses approached social justice by asking "why" and "who is 'we'?" The short story course dealt with social justice by comparing stories of the experiences of various groups of people.
In addition to teaching, my professional focus was on developing effective pedagogy for technology use in the classroom. My goal was to increase student tech literacy with technologies that enhanced learning. I was selected by the college president to coordinate faculty training and collaboration to spread these efforts across the campus and curriculum. With the eager support of many colleagues, I designed a multi-faceted program that both addressed and solicited the needs of faculty as well as providing inspiration and support for innovators.
Please contact me via Reedsy for a full CV if you wish to see one.
My work as an active teacher, scholar, and tech guru left little time for professional editing experience, so you won't see published titles on my list. As an undergraduate, I copy-edited and assembled the notes for Southern Local Color: Stories of Region, Race, and Gender for Editors Barbara C. Ewell and Pamela Glen Menke (U of Georgia Press, 2002). I have worked informally (aka unpaid) on several of my colleagues' dissertations and writing projects and was sought out and paid for editing a dissertation outside my field and an article by a Haitian scholar for publication. Of course, as a literature scholar, all of my scholarship involves analyzing content and structure, particularly in women’s fiction. I was the supervising professor for an independent study with a student whose project was a series of novels in which she creates a myth and full on back story for the goddess Nike, one of the few goddesses of stature who has no birth story or other background in classical literature. While grading thousands of student essays trained me to line edit and copy edit almost any text, teaching, grading, and research have kept me far too busy to actively pursue editing work. Now, I'm heading into retirement and looking to editing as a way to rechannel my skills and interests.
Conflict, exoticism, sensuality, eccentricity, and the sheer differences of the American South pervade this lively anthology, the first in fifty years to focus exclusively on the nineteenth-century tradition of southern local color. Its thirty-one stories, spanning the 1870s through the early 1900s, represent some of the best southern fiction to appear during the great flowering of American lo... read more
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Publisher and editor, with extensive experience editing and publishing a range of books, from literary fiction and poetry to art books.
Experimental fiction writer specializing in developmental editing for witty, innovative poetry, fiction, and creative nonfiction projects.